![]() ![]() ![]() I may continue to use both NLEs in the future depending on priorities for different projects. What is a LUT or a look up table A LUT is a colour correction tool, a mathematical formula that makes up the difference between your source footage and your. My impression so far is that my film looks better in Resolve but I work faster and more efficiently in FCPX. The main thing I don't like about color in FCPX is that if you're working with log footage you either have to normalize by hand or use a camera LUT there's nothing like Resolve Color Management or Resolve's color space transform tool, both of which take a less heavy-handed approach than LUTs to converting all your log footage to Rec 709 or whatever colorspace you'll deliver in.īut overall I am impressed with FCPX especially for editing of course, but it's very capable for color correction. I've also experimented with an even more limited color toolset in FCPX using the Koji Advance plugin from Kojicolor, a film-emulation plugin that includes traditional film correction controls like density and printer points in addition to lift/gamma/gain. For example I exported a basic video this morning which would have taken a few minutes on the previous version took nearly 20 minutes. A simple interface, efficient workflow, real-time processing, and semi-automated functionality make color. Rendering & exporting in particular are taking ages to complete. The fastest color grading software for Final Cut Pro. I just hit reload page in ('U.S.') App Store (with Updates selected) and FCP 10.6.3 and iMovie 10.3.3, among others, just showed up. 7 years ago by NFS Staff color grading central. I recently updated my FCPX to 10.3, the first thing I have noticed is that the performance is appalling compared to the previous version. They're more limited than what Resolve offers, but that can be a good thing because you're less tempted to spend time on refinements that provide only marginal improvement. Get 25 Off Color Finale, the Plugin that Brings Professional Grading to Your Final Cut Pro X Timeline. Having graduated from FCP7 to FCPX 10.2 and now to FCPX 10.3 all the while using multi-cam editing I must publicly acknowledge that RippleTraining, Steve, and now Mark, have been amazing in this journey helping me graduate from 7 to 10.2, and now to 10.3.This is about FCP 10.3. I love the way my footage looks in Resolve, but I've been impressed with FCPX's color tools as well. I've been doing my current project (a 30-min documentary) in Davinci Resolve and FCPX simultaneously (everything from editing through color correcting, color grading and audio work) as a way to evaluate which NLE I prefer. ![]()
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